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Now that the first two installments of Tito Puente's classic 78 rpm recordings are enjoying great success, we delve into the historically significant volume 3. Here, we find the velvety vocalizing of singer Gilberto Monroig....MORE >

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In 1967 Héctor Pérez agreed to record the album El Malo in order to please Johnny Pacheco, recording director and co-founder of Fania Records.
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Every generation has had its share of heroes. They’ve appeared in books, newspapers, television, radio and even on phonograph records. That being said, it seems hard to believe that it has now been 22 years since the untimely passing of Frank Machito Grillo....MORE >

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By now, I am hoping that you have already experienced the first volume of Tito Puente's Classic Tico 78 rpm Recordings. This second installment is a mind blower, 40 tunes on two CDs, some of them released for the first time....MORE >

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Produced by Al Santiago and recorded with the backing of the infamous Alegre All Stars, Son Con Guaguancó is the album that Celia released following Cuba Y Puerto Rico Son, the classic 1966 session that began her lifelong collaboration with Tito Puente.
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In the history of Afro-Cuban based dance music, Ray Barretto’s Rican/Struction stands as one of its brightest beacons....MORE >

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SONORA PONCEÑA
JUBILEE (1985)


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This is the first U.S. recording by the young Panamanian, who was destined to become one of salsa’s major stars before the decade was out. But his domestic debut flopped and Blades soon found himself back in Panama, resuming his law studies....MORE >

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LA LEY
LEBRON BROTHERS

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The cliché statement they don't make them like they used to anymore becomes especially poignant in the case of Tito Rodríguez....MORE >